TY  - JOUR
AU  - Gajić-Kvaščev, Maja
AU  - Bikić, Vesna
AU  - Wright, Victoria J.
AU  - Radosavjević Evans, Ivana
AU  - Damjanović-Vasilić, Ljiljana S.
PY  - 2018
UR  - https://linkinghub.elsevier.com/retrieve/pii/S1296207417304478
UR  - https://vinar.vin.bg.ac.rs/handle/123456789/7923
AB  - The chemical and mineralogical composition of ceramic bodies, glazes and pigments, as well as the firing temperatures of main groups of Austrian period painted pottery excavated at the Belgrade Fortress on the territory of Serbia, two groups of Malhornware and one group of Anabaptist faience, were determined by a combination of powder X-ray diffraction (PXRD), Fourier transform infrared (FTIR) spectroscopy, energy dispersive X-ray fluorescence (XRF) and micro-Raman spectroscopy. Investigated pottery was uncovered in the same archaeological context and dated the end of 17th/first decade of 18th century. The obtained mineralogical and chemical composition shows the similarities between the Malhornware groups that indicate a similar production technology. Use of calcareous clay fired at temperatures in the range 850-900 degrees C indicates a different production technology for the Anabaptists faience. The compositional data treatment by multivariate statistical analysis reveals heterogeneity in the Anabaptist faience group of samples, suggesting potential interactions between the local potters and the Anabaptist communities. (C) 2018 Elsevier Masson SAS. All rights reserved.
T2  - Journal of Cultural Heritage
T1  - Archaeometric study of 17th/18th century painted pottery from the Belgrade Fortress
VL  - 32
SP  - 9
EP  - 21
DO  - 10.1016/j.culher.2018.01.018
ER  - 

@article{
author = "Gajić-Kvaščev, Maja and Bikić, Vesna and Wright, Victoria J. and Radosavjević Evans, Ivana and Damjanović-Vasilić, Ljiljana S.",
year = "2018",
abstract = "The chemical and mineralogical composition of ceramic bodies, glazes and pigments, as well as the firing temperatures of main groups of Austrian period painted pottery excavated at the Belgrade Fortress on the territory of Serbia, two groups of Malhornware and one group of Anabaptist faience, were determined by a combination of powder X-ray diffraction (PXRD), Fourier transform infrared (FTIR) spectroscopy, energy dispersive X-ray fluorescence (XRF) and micro-Raman spectroscopy. Investigated pottery was uncovered in the same archaeological context and dated the end of 17th/first decade of 18th century. The obtained mineralogical and chemical composition shows the similarities between the Malhornware groups that indicate a similar production technology. Use of calcareous clay fired at temperatures in the range 850-900 degrees C indicates a different production technology for the Anabaptists faience. The compositional data treatment by multivariate statistical analysis reveals heterogeneity in the Anabaptist faience group of samples, suggesting potential interactions between the local potters and the Anabaptist communities. (C) 2018 Elsevier Masson SAS. All rights reserved.",
journal = "Journal of Cultural Heritage",
title = "Archaeometric study of 17th/18th century painted pottery from the Belgrade Fortress",
volume = "32",
pages = "9-21",
doi = "10.1016/j.culher.2018.01.018"
}

Gajić-Kvaščev, M., Bikić, V., Wright, V. J., Radosavjević Evans, I.,& Damjanović-Vasilić, L. S.. (2018). Archaeometric study of 17th/18th century painted pottery from the Belgrade Fortress. in Journal of Cultural Heritage, 32, 9-21.
https://doi.org/10.1016/j.culher.2018.01.018

Gajić-Kvaščev M, Bikić V, Wright VJ, Radosavjević Evans I, Damjanović-Vasilić LS. Archaeometric study of 17th/18th century painted pottery from the Belgrade Fortress. in Journal of Cultural Heritage. 2018;32:9-21.
doi:10.1016/j.culher.2018.01.018 .

Gajić-Kvaščev, Maja, Bikić, Vesna, Wright, Victoria J., Radosavjević Evans, Ivana, Damjanović-Vasilić, Ljiljana S., "Archaeometric study of 17th/18th century painted pottery from the Belgrade Fortress" in Journal of Cultural Heritage, 32 (2018):9-21,
https://doi.org/10.1016/j.culher.2018.01.018 . .

TY  - JOUR
AU  - Damjanovic, L. J.
AU  - Mioč, Ubavka B.
AU  - Bajuk-Bogdanović, Danica V.
AU  - Cerovic, N.
AU  - Marić-Stojanović, M.
AU  - Andrić, Velibor
AU  - Holclajtner-Antunović, Ivanka D.
PY  - 2016
UR  - https://vinar.vin.bg.ac.rs/handle/123456789/1177
AB  - Medieval pottery from excavations at Novo Brdo, Serbia, an important mining and trading centre during the 14th and 15th centuries, was investigated by a combination of optical microscopy, inductively coupled plasma - optical emission spectrometry, Fourier transform infrared, micro-Raman and energy-dispersive X-ray fluorescence spectroscopy and X-ray powder diffraction methods in order to determine its composition and firing temperature. The samples investigated were made of medium- to coarse-grained, non-calcareous clay, by a relatively well-controlled firing procedure in an oxidizing atmosphere. The firing temperature was estimated to be 850-950 degrees C. The similarity between the chemical composition of the investigated pottery and the local raw clay, combined with the outward appearance and the archaeological findings, indicate domestic production. The pottery is covered with the transparent lead-rich glaze. Iron and copper were used as colourants.
T2  - Archaeometry
T1  - Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia
VL  - 58
IS  - 3
SP  - 380
EP  - 400
DO  - 10.1111/arcm.12185
ER  - 

@article{
author = "Damjanovic, L. J. and Mioč, Ubavka B. and Bajuk-Bogdanović, Danica V. and Cerovic, N. and Marić-Stojanović, M. and Andrić, Velibor and Holclajtner-Antunović, Ivanka D.",
year = "2016",
abstract = "Medieval pottery from excavations at Novo Brdo, Serbia, an important mining and trading centre during the 14th and 15th centuries, was investigated by a combination of optical microscopy, inductively coupled plasma - optical emission spectrometry, Fourier transform infrared, micro-Raman and energy-dispersive X-ray fluorescence spectroscopy and X-ray powder diffraction methods in order to determine its composition and firing temperature. The samples investigated were made of medium- to coarse-grained, non-calcareous clay, by a relatively well-controlled firing procedure in an oxidizing atmosphere. The firing temperature was estimated to be 850-950 degrees C. The similarity between the chemical composition of the investigated pottery and the local raw clay, combined with the outward appearance and the archaeological findings, indicate domestic production. The pottery is covered with the transparent lead-rich glaze. Iron and copper were used as colourants.",
journal = "Archaeometry",
title = "Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia",
volume = "58",
number = "3",
pages = "380-400",
doi = "10.1111/arcm.12185"
}

Damjanovic, L. J., Mioč, U. B., Bajuk-Bogdanović, D. V., Cerovic, N., Marić-Stojanović, M., Andrić, V.,& Holclajtner-Antunović, I. D.. (2016). Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia. in Archaeometry, 58(3), 380-400.
https://doi.org/10.1111/arcm.12185

Damjanovic LJ, Mioč UB, Bajuk-Bogdanović DV, Cerovic N, Marić-Stojanović M, Andrić V, Holclajtner-Antunović ID. Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia. in Archaeometry. 2016;58(3):380-400.
doi:10.1111/arcm.12185 .

Damjanovic, L. J., Mioč, Ubavka B., Bajuk-Bogdanović, Danica V., Cerovic, N., Marić-Stojanović, M., Andrić, Velibor, Holclajtner-Antunović, Ivanka D., "Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia" in Archaeometry, 58, no. 3 (2016):380-400,
https://doi.org/10.1111/arcm.12185 . .

TY  - JOUR
AU  - Perišić, Nebojša
AU  - Marić-Stojanović, Milica
AU  - Andrić, Velibor
AU  - Mioč, Ubavka B.
AU  - Damjanović, Ljiljana S.
PY  - 2016
UR  - https://vinar.vin.bg.ac.rs/handle/123456789/1406
AB  - A study of decorated Neolithic pottery samples from the excavation site Plocnik, Serbia, was performed using X-ray powder diffraction (XRPD), Fourier transform infrared (FTIR) and X-ray fluorescence (XRF) spectroscopy. The investigated samples belong to the era of the Vinca culture that existed in the central Balkan region from the mid VI until the first half of the V millennium BCE. The mineralogical composition of the pottery samples and comparison of the investigated pottery with thermally treated local clay indicated firing temperatures in the range from 600 to 800 degrees C. Two different types of white pigments were identified in white incrusted decorations: calcium carbonate and bone white (composed of crushed bones). This is the first evidence of the use of bones for decorations in pottery of the Vinca culture from the excavation site Plocnik. In addition to this, it was revealed that the potters used the iron reduction technique for obtaining black decorations.
T2  - Journal of the Serbian Chemical Society
T1  - Physicochemical characterisation of pottery from the Vinca culture, Serbia, regarding the firing temperature and decoration techniques
VL  - 81
IS  - 12
SP  - 1415
EP  - 1426
DO  - 10.2298/JSC160823100P
ER  - 

@article{
author = "Perišić, Nebojša and Marić-Stojanović, Milica and Andrić, Velibor and Mioč, Ubavka B. and Damjanović, Ljiljana S.",
year = "2016",
abstract = "A study of decorated Neolithic pottery samples from the excavation site Plocnik, Serbia, was performed using X-ray powder diffraction (XRPD), Fourier transform infrared (FTIR) and X-ray fluorescence (XRF) spectroscopy. The investigated samples belong to the era of the Vinca culture that existed in the central Balkan region from the mid VI until the first half of the V millennium BCE. The mineralogical composition of the pottery samples and comparison of the investigated pottery with thermally treated local clay indicated firing temperatures in the range from 600 to 800 degrees C. Two different types of white pigments were identified in white incrusted decorations: calcium carbonate and bone white (composed of crushed bones). This is the first evidence of the use of bones for decorations in pottery of the Vinca culture from the excavation site Plocnik. In addition to this, it was revealed that the potters used the iron reduction technique for obtaining black decorations.",
journal = "Journal of the Serbian Chemical Society",
title = "Physicochemical characterisation of pottery from the Vinca culture, Serbia, regarding the firing temperature and decoration techniques",
volume = "81",
number = "12",
pages = "1415-1426",
doi = "10.2298/JSC160823100P"
}

Perišić, N., Marić-Stojanović, M., Andrić, V., Mioč, U. B.,& Damjanović, L. S.. (2016). Physicochemical characterisation of pottery from the Vinca culture, Serbia, regarding the firing temperature and decoration techniques. in Journal of the Serbian Chemical Society, 81(12), 1415-1426.
https://doi.org/10.2298/JSC160823100P

Perišić N, Marić-Stojanović M, Andrić V, Mioč UB, Damjanović LS. Physicochemical characterisation of pottery from the Vinca culture, Serbia, regarding the firing temperature and decoration techniques. in Journal of the Serbian Chemical Society. 2016;81(12):1415-1426.
doi:10.2298/JSC160823100P .

Perišić, Nebojša, Marić-Stojanović, Milica, Andrić, Velibor, Mioč, Ubavka B., Damjanović, Ljiljana S., "Physicochemical characterisation of pottery from the Vinca culture, Serbia, regarding the firing temperature and decoration techniques" in Journal of the Serbian Chemical Society, 81, no. 12 (2016):1415-1426,
https://doi.org/10.2298/JSC160823100P . .

TY  - JOUR
AU  - Damjanović, Ljiljana S.
AU  - Gajić-Kvaščev, Maja
AU  - Durdevic, J.
AU  - Andrić, Velibor
AU  - Marić-Stojanović, M.
AU  - Lazić, T.
AU  - Nikolic, S.
PY  - 2015
UR  - https://vinar.vin.bg.ac.rs/handle/123456789/706
AB  - A canvas painting by Milo Milunovic The Inspiration of the poet was studied by energy dispersive X-Ray fluorescence (EDXRF), micro-Raman and Fourier transform infrared (FTIR) spectroscopy in order to identify materials used by the artist and his painting technique. Study is perfomed combining in situ non-destructive method with the preparation and study of cross-section samples and raw fragments of the samples. Milo Milunovic, an eminent painter from Balkan region, made a copy of the Nicolas Poussins original painting in Louvre in 1926/27. Obtained results revealed following pigments on the investigated canvas painting: vermilion, minium, cobalt blue, ultramarine, lead white, zinc white, cadmium yellow, chrome-based green pigment and several earth pigments - red and yellow ocher, green earth and umber. Ground layer was made of lead white mixed with calcium carbonate. (C) 2015 Elsevier Ltd. All rights reserved.
T2  - Radiation Physics and Chemistry
T1  - The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy
VL  - 115
SP  - 135
EP  - 142
DO  - 10.1016/j.radphyschem.2015.06.017
ER  - 

@article{
author = "Damjanović, Ljiljana S. and Gajić-Kvaščev, Maja and Durdevic, J. and Andrić, Velibor and Marić-Stojanović, M. and Lazić, T. and Nikolic, S.",
year = "2015",
abstract = "A canvas painting by Milo Milunovic The Inspiration of the poet was studied by energy dispersive X-Ray fluorescence (EDXRF), micro-Raman and Fourier transform infrared (FTIR) spectroscopy in order to identify materials used by the artist and his painting technique. Study is perfomed combining in situ non-destructive method with the preparation and study of cross-section samples and raw fragments of the samples. Milo Milunovic, an eminent painter from Balkan region, made a copy of the Nicolas Poussins original painting in Louvre in 1926/27. Obtained results revealed following pigments on the investigated canvas painting: vermilion, minium, cobalt blue, ultramarine, lead white, zinc white, cadmium yellow, chrome-based green pigment and several earth pigments - red and yellow ocher, green earth and umber. Ground layer was made of lead white mixed with calcium carbonate. (C) 2015 Elsevier Ltd. All rights reserved.",
journal = "Radiation Physics and Chemistry",
title = "The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy",
volume = "115",
pages = "135-142",
doi = "10.1016/j.radphyschem.2015.06.017"
}

Damjanović, L. S., Gajić-Kvaščev, M., Durdevic, J., Andrić, V., Marić-Stojanović, M., Lazić, T.,& Nikolic, S.. (2015). The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy. in Radiation Physics and Chemistry, 115, 135-142.
https://doi.org/10.1016/j.radphyschem.2015.06.017

Damjanović LS, Gajić-Kvaščev M, Durdevic J, Andrić V, Marić-Stojanović M, Lazić T, Nikolic S. The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy. in Radiation Physics and Chemistry. 2015;115:135-142.
doi:10.1016/j.radphyschem.2015.06.017 .

Damjanović, Ljiljana S., Gajić-Kvaščev, Maja, Durdevic, J., Andrić, Velibor, Marić-Stojanović, M., Lazić, T., Nikolic, S., "The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy" in Radiation Physics and Chemistry, 115 (2015):135-142,
https://doi.org/10.1016/j.radphyschem.2015.06.017 . .

TY  - JOUR
AU  - Stojanovic, Sofija R.
AU  - Gajić-Kvaščev, Maja
AU  - Damjanović, Ljiljana S.
PY  - 2015
UR  - https://vinar.vin.bg.ac.rs/handle/123456789/766
AB  - Russian icon painted on wooden panel analyzed in this work is interesting for art historians because there is no precise information in which workshops it was made or who the author was. Similar icons are often found in churches and monasteries in our region. In order to obtain information about materials used for creation of investigated icon two micro-analytical techniques were used: Energy-Dispersive X-Ray Fluorescence spectroscopy (EDXRF) and micro-Raman spectroscopy. Obtained results confirmed presence of following materials: lead-white, vermilion, minium, ultramarine, brown and green earth pigments and silver in combination with yellow organic varnish, which served to an iconographer for gilding. Ground layer was made of calcite. Blue pigment ultramarine was probably used for blue colour as well as for obtaining particulars hues in several parts of the paint layer. This can be important information for further research concerning particular workshop in which the icon was made. Identified materials are typical for Russian iconography of the 19th century.
T2  - Hemijska industrija
T1  - Spectroscopic Study of An Icon Painted on Wooden Panel
VL  - 69
IS  - 4
SP  - 387
EP  - 393
DO  - 10.2298/HEMIND140430053S
ER  - 

@article{
author = "Stojanovic, Sofija R. and Gajić-Kvaščev, Maja and Damjanović, Ljiljana S.",
year = "2015",
abstract = "Russian icon painted on wooden panel analyzed in this work is interesting for art historians because there is no precise information in which workshops it was made or who the author was. Similar icons are often found in churches and monasteries in our region. In order to obtain information about materials used for creation of investigated icon two micro-analytical techniques were used: Energy-Dispersive X-Ray Fluorescence spectroscopy (EDXRF) and micro-Raman spectroscopy. Obtained results confirmed presence of following materials: lead-white, vermilion, minium, ultramarine, brown and green earth pigments and silver in combination with yellow organic varnish, which served to an iconographer for gilding. Ground layer was made of calcite. Blue pigment ultramarine was probably used for blue colour as well as for obtaining particulars hues in several parts of the paint layer. This can be important information for further research concerning particular workshop in which the icon was made. Identified materials are typical for Russian iconography of the 19th century.",
journal = "Hemijska industrija",
title = "Spectroscopic Study of An Icon Painted on Wooden Panel",
volume = "69",
number = "4",
pages = "387-393",
doi = "10.2298/HEMIND140430053S"
}

Stojanovic, S. R., Gajić-Kvaščev, M.,& Damjanović, L. S.. (2015). Spectroscopic Study of An Icon Painted on Wooden Panel. in Hemijska industrija, 69(4), 387-393.
https://doi.org/10.2298/HEMIND140430053S

Stojanovic SR, Gajić-Kvaščev M, Damjanović LS. Spectroscopic Study of An Icon Painted on Wooden Panel. in Hemijska industrija. 2015;69(4):387-393.
doi:10.2298/HEMIND140430053S .

Stojanovic, Sofija R., Gajić-Kvaščev, Maja, Damjanović, Ljiljana S., "Spectroscopic Study of An Icon Painted on Wooden Panel" in Hemijska industrija, 69, no. 4 (2015):387-393,
https://doi.org/10.2298/HEMIND140430053S . .

TY  - JOUR
AU  - Damjanović, Ljiljana S.
AU  - Marjanovic, Olgica
AU  - Marić-Stojanović, Milica
AU  - Andrić, Velibor
AU  - Mioč, Ubavka B.
PY  - 2015
UR  - https://vinar.vin.bg.ac.rs/handle/123456789/651
AB  - A multianalytical study of two Serbian icons, The Virgin and Child and St. Petka, painted on canvas by unknown authors was performed in order to identify the materials used as pigments, binders and the ground layer. The investigated icons belong to the Museum of the Serbian Orthodox Church in Belgrade. Samples, collected from different parts of the icons, were analysed by: optical microscopy (OM), energy dispersive X-Ray fluorescence (EDXRF), Fourier transform infrared (FTIR) and micro-Raman spectroscopy. The obtained results revealed the presence of the following pigments: Prussian Blue, ultramarine, Green Earth, iron oxides, Lead White and Zinc White. Linseed oil was used as the binder. The materials used for the ground layers were gypsum, calcite, baryte and Lead White. The gilded surface of the icon The Virgin and Child was made of gold. The gilded surface on the frame of this icon was made of imitation of gold, i.e., Schlagmetal, since EDXRF spectroscopy showed the presence of copper and zinc, while gold was not detected. Based on the style and the consideration of an art historian, as well as on the obtained results for the corresponding pigments and binder, both icons were most probably made at the end of 19th or the beginning of the 20th century.
T2  - Journal of the Serbian Chemical Society
T1  - Spectroscopic investigation of two Serbian icons painted on canvas
VL  - 80
IS  - 6
SP  - 805
EP  - 817
DO  - 10.2298/JSC140722099D
ER  - 

@article{
author = "Damjanović, Ljiljana S. and Marjanovic, Olgica and Marić-Stojanović, Milica and Andrić, Velibor and Mioč, Ubavka B.",
year = "2015",
abstract = "A multianalytical study of two Serbian icons, The Virgin and Child and St. Petka, painted on canvas by unknown authors was performed in order to identify the materials used as pigments, binders and the ground layer. The investigated icons belong to the Museum of the Serbian Orthodox Church in Belgrade. Samples, collected from different parts of the icons, were analysed by: optical microscopy (OM), energy dispersive X-Ray fluorescence (EDXRF), Fourier transform infrared (FTIR) and micro-Raman spectroscopy. The obtained results revealed the presence of the following pigments: Prussian Blue, ultramarine, Green Earth, iron oxides, Lead White and Zinc White. Linseed oil was used as the binder. The materials used for the ground layers were gypsum, calcite, baryte and Lead White. The gilded surface of the icon The Virgin and Child was made of gold. The gilded surface on the frame of this icon was made of imitation of gold, i.e., Schlagmetal, since EDXRF spectroscopy showed the presence of copper and zinc, while gold was not detected. Based on the style and the consideration of an art historian, as well as on the obtained results for the corresponding pigments and binder, both icons were most probably made at the end of 19th or the beginning of the 20th century.",
journal = "Journal of the Serbian Chemical Society",
title = "Spectroscopic investigation of two Serbian icons painted on canvas",
volume = "80",
number = "6",
pages = "805-817",
doi = "10.2298/JSC140722099D"
}

Damjanović, L. S., Marjanovic, O., Marić-Stojanović, M., Andrić, V.,& Mioč, U. B.. (2015). Spectroscopic investigation of two Serbian icons painted on canvas. in Journal of the Serbian Chemical Society, 80(6), 805-817.
https://doi.org/10.2298/JSC140722099D

Damjanović LS, Marjanovic O, Marić-Stojanović M, Andrić V, Mioč UB. Spectroscopic investigation of two Serbian icons painted on canvas. in Journal of the Serbian Chemical Society. 2015;80(6):805-817.
doi:10.2298/JSC140722099D .

Damjanović, Ljiljana S., Marjanovic, Olgica, Marić-Stojanović, Milica, Andrić, Velibor, Mioč, Ubavka B., "Spectroscopic investigation of two Serbian icons painted on canvas" in Journal of the Serbian Chemical Society, 80, no. 6 (2015):805-817,
https://doi.org/10.2298/JSC140722099D . .