Marić-Stojanović, M.

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  • Marić-Stojanović, M. (2)
Projects

Author's Bibliography

Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia

Damjanovic, L. J.; Mioč, Ubavka B.; Bajuk-Bogdanović, Danica V.; Cerovic, N.; Marić-Stojanović, M.; Andrić, Velibor; Holclajtner-Antunović, Ivanka D.

(2016)

TY  - JOUR
AU  - Damjanovic, L. J.
AU  - Mioč, Ubavka B.
AU  - Bajuk-Bogdanović, Danica V.
AU  - Cerovic, N.
AU  - Marić-Stojanović, M.
AU  - Andrić, Velibor
AU  - Holclajtner-Antunović, Ivanka D.
PY  - 2016
UR  - https://vinar.vin.bg.ac.rs/handle/123456789/1177
AB  - Medieval pottery from excavations at Novo Brdo, Serbia, an important mining and trading centre during the 14th and 15th centuries, was investigated by a combination of optical microscopy, inductively coupled plasma - optical emission spectrometry, Fourier transform infrared, micro-Raman and energy-dispersive X-ray fluorescence spectroscopy and X-ray powder diffraction methods in order to determine its composition and firing temperature. The samples investigated were made of medium- to coarse-grained, non-calcareous clay, by a relatively well-controlled firing procedure in an oxidizing atmosphere. The firing temperature was estimated to be 850-950 degrees C. The similarity between the chemical composition of the investigated pottery and the local raw clay, combined with the outward appearance and the archaeological findings, indicate domestic production. The pottery is covered with the transparent lead-rich glaze. Iron and copper were used as colourants.
T2  - Archaeometry
T1  - Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia
VL  - 58
IS  - 3
SP  - 380
EP  - 400
DO  - 10.1111/arcm.12185
ER  - 
@article{
author = "Damjanovic, L. J. and Mioč, Ubavka B. and Bajuk-Bogdanović, Danica V. and Cerovic, N. and Marić-Stojanović, M. and Andrić, Velibor and Holclajtner-Antunović, Ivanka D.",
year = "2016",
abstract = "Medieval pottery from excavations at Novo Brdo, Serbia, an important mining and trading centre during the 14th and 15th centuries, was investigated by a combination of optical microscopy, inductively coupled plasma - optical emission spectrometry, Fourier transform infrared, micro-Raman and energy-dispersive X-ray fluorescence spectroscopy and X-ray powder diffraction methods in order to determine its composition and firing temperature. The samples investigated were made of medium- to coarse-grained, non-calcareous clay, by a relatively well-controlled firing procedure in an oxidizing atmosphere. The firing temperature was estimated to be 850-950 degrees C. The similarity between the chemical composition of the investigated pottery and the local raw clay, combined with the outward appearance and the archaeological findings, indicate domestic production. The pottery is covered with the transparent lead-rich glaze. Iron and copper were used as colourants.",
journal = "Archaeometry",
title = "Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia",
volume = "58",
number = "3",
pages = "380-400",
doi = "10.1111/arcm.12185"
}
Damjanovic, L. J., Mioč, U. B., Bajuk-Bogdanović, D. V., Cerovic, N., Marić-Stojanović, M., Andrić, V.,& Holclajtner-Antunović, I. D.. (2016). Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia. in Archaeometry, 58(3), 380-400.
https://doi.org/10.1111/arcm.12185
Damjanovic LJ, Mioč UB, Bajuk-Bogdanović DV, Cerovic N, Marić-Stojanović M, Andrić V, Holclajtner-Antunović ID. Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia. in Archaeometry. 2016;58(3):380-400.
doi:10.1111/arcm.12185 .
Damjanovic, L. J., Mioč, Ubavka B., Bajuk-Bogdanović, Danica V., Cerovic, N., Marić-Stojanović, M., Andrić, Velibor, Holclajtner-Antunović, Ivanka D., "Archaeometric Investigation of Medieval Pottery from Excavations At Novo Brdo, Serbia" in Archaeometry, 58, no. 3 (2016):380-400,
https://doi.org/10.1111/arcm.12185 . .
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The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy

Damjanović, Ljiljana S.; Gajić-Kvaščev, Maja; Durdevic, J.; Andrić, Velibor; Marić-Stojanović, M.; Lazić, T.; Nikolic, S.

(2015)

TY  - JOUR
AU  - Damjanović, Ljiljana S.
AU  - Gajić-Kvaščev, Maja
AU  - Durdevic, J.
AU  - Andrić, Velibor
AU  - Marić-Stojanović, M.
AU  - Lazić, T.
AU  - Nikolic, S.
PY  - 2015
UR  - https://vinar.vin.bg.ac.rs/handle/123456789/706
AB  - A canvas painting by Milo Milunovic The Inspiration of the poet was studied by energy dispersive X-Ray fluorescence (EDXRF), micro-Raman and Fourier transform infrared (FTIR) spectroscopy in order to identify materials used by the artist and his painting technique. Study is perfomed combining in situ non-destructive method with the preparation and study of cross-section samples and raw fragments of the samples. Milo Milunovic, an eminent painter from Balkan region, made a copy of the Nicolas Poussins original painting in Louvre in 1926/27. Obtained results revealed following pigments on the investigated canvas painting: vermilion, minium, cobalt blue, ultramarine, lead white, zinc white, cadmium yellow, chrome-based green pigment and several earth pigments - red and yellow ocher, green earth and umber. Ground layer was made of lead white mixed with calcium carbonate. (C) 2015 Elsevier Ltd. All rights reserved.
T2  - Radiation Physics and Chemistry
T1  - The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy
VL  - 115
SP  - 135
EP  - 142
DO  - 10.1016/j.radphyschem.2015.06.017
ER  - 
@article{
author = "Damjanović, Ljiljana S. and Gajić-Kvaščev, Maja and Durdevic, J. and Andrić, Velibor and Marić-Stojanović, M. and Lazić, T. and Nikolic, S.",
year = "2015",
abstract = "A canvas painting by Milo Milunovic The Inspiration of the poet was studied by energy dispersive X-Ray fluorescence (EDXRF), micro-Raman and Fourier transform infrared (FTIR) spectroscopy in order to identify materials used by the artist and his painting technique. Study is perfomed combining in situ non-destructive method with the preparation and study of cross-section samples and raw fragments of the samples. Milo Milunovic, an eminent painter from Balkan region, made a copy of the Nicolas Poussins original painting in Louvre in 1926/27. Obtained results revealed following pigments on the investigated canvas painting: vermilion, minium, cobalt blue, ultramarine, lead white, zinc white, cadmium yellow, chrome-based green pigment and several earth pigments - red and yellow ocher, green earth and umber. Ground layer was made of lead white mixed with calcium carbonate. (C) 2015 Elsevier Ltd. All rights reserved.",
journal = "Radiation Physics and Chemistry",
title = "The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy",
volume = "115",
pages = "135-142",
doi = "10.1016/j.radphyschem.2015.06.017"
}
Damjanović, L. S., Gajić-Kvaščev, M., Durdevic, J., Andrić, V., Marić-Stojanović, M., Lazić, T.,& Nikolic, S.. (2015). The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy. in Radiation Physics and Chemistry, 115, 135-142.
https://doi.org/10.1016/j.radphyschem.2015.06.017
Damjanović LS, Gajić-Kvaščev M, Durdevic J, Andrić V, Marić-Stojanović M, Lazić T, Nikolic S. The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy. in Radiation Physics and Chemistry. 2015;115:135-142.
doi:10.1016/j.radphyschem.2015.06.017 .
Damjanović, Ljiljana S., Gajić-Kvaščev, Maja, Durdevic, J., Andrić, Velibor, Marić-Stojanović, M., Lazić, T., Nikolic, S., "The characterization of canvas painting by the Serbian artist Milo Milunovic using X-ray fluorescence, micro-Raman and FTIR spectroscopy" in Radiation Physics and Chemistry, 115 (2015):135-142,
https://doi.org/10.1016/j.radphyschem.2015.06.017 . .
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