TY  - JOUR
AU  - Stojanovic, Sofija R.
AU  - Gajić-Kvaščev, Maja
AU  - Damjanović, Ljiljana S.
PY  - 2015
UR  - https://vinar.vin.bg.ac.rs/handle/123456789/766
AB  - Russian icon painted on wooden panel analyzed in this work is interesting for art historians because there is no precise information in which workshops it was made or who the author was. Similar icons are often found in churches and monasteries in our region. In order to obtain information about materials used for creation of investigated icon two micro-analytical techniques were used: Energy-Dispersive X-Ray Fluorescence spectroscopy (EDXRF) and micro-Raman spectroscopy. Obtained results confirmed presence of following materials: lead-white, vermilion, minium, ultramarine, brown and green earth pigments and silver in combination with yellow organic varnish, which served to an iconographer for gilding. Ground layer was made of calcite. Blue pigment ultramarine was probably used for blue colour as well as for obtaining particulars hues in several parts of the paint layer. This can be important information for further research concerning particular workshop in which the icon was made. Identified materials are typical for Russian iconography of the 19th century.
T2  - Hemijska industrija
T1  - Spectroscopic Study of An Icon Painted on Wooden Panel
VL  - 69
IS  - 4
SP  - 387
EP  - 393
DO  - 10.2298/HEMIND140430053S
ER  - 

@article{
author = "Stojanovic, Sofija R. and Gajić-Kvaščev, Maja and Damjanović, Ljiljana S.",
year = "2015",
abstract = "Russian icon painted on wooden panel analyzed in this work is interesting for art historians because there is no precise information in which workshops it was made or who the author was. Similar icons are often found in churches and monasteries in our region. In order to obtain information about materials used for creation of investigated icon two micro-analytical techniques were used: Energy-Dispersive X-Ray Fluorescence spectroscopy (EDXRF) and micro-Raman spectroscopy. Obtained results confirmed presence of following materials: lead-white, vermilion, minium, ultramarine, brown and green earth pigments and silver in combination with yellow organic varnish, which served to an iconographer for gilding. Ground layer was made of calcite. Blue pigment ultramarine was probably used for blue colour as well as for obtaining particulars hues in several parts of the paint layer. This can be important information for further research concerning particular workshop in which the icon was made. Identified materials are typical for Russian iconography of the 19th century.",
journal = "Hemijska industrija",
title = "Spectroscopic Study of An Icon Painted on Wooden Panel",
volume = "69",
number = "4",
pages = "387-393",
doi = "10.2298/HEMIND140430053S"
}

Stojanovic, S. R., Gajić-Kvaščev, M.,& Damjanović, L. S.. (2015). Spectroscopic Study of An Icon Painted on Wooden Panel. in Hemijska industrija, 69(4), 387-393.
https://doi.org/10.2298/HEMIND140430053S

Stojanovic SR, Gajić-Kvaščev M, Damjanović LS. Spectroscopic Study of An Icon Painted on Wooden Panel. in Hemijska industrija. 2015;69(4):387-393.
doi:10.2298/HEMIND140430053S .

Stojanovic, Sofija R., Gajić-Kvaščev, Maja, Damjanović, Ljiljana S., "Spectroscopic Study of An Icon Painted on Wooden Panel" in Hemijska industrija, 69, no. 4 (2015):387-393,
https://doi.org/10.2298/HEMIND140430053S . .